Tag Archives: Edgar Allan Poe

Common raven is no bird brain

Photo by Alexas-Fotos/Pixabay • Common ravens, although native to the region, were not so common only a few decades ago. This much larger relative of the American crow is slowly becoming more commonplace in the area once again.

Since back in November, a common raven has been lurking in the woodlands around my home. I even hear the raven’s loud croaking when I’m inside the house. The local American crows have not rolled out a warm welcome for the interloping raven, but there seems to be an uneasy truce between the crows and the much larger raven.

Ravens are vocal birds. I got reminded of the many unusual vocalizations a raven’s capable of when the resident bird flew over, croaking loudly, on a recent brisk and sunny late afternoon. Between the croaks, the raven produced an uncanny imitation of a tinkling bell. The bird produced this bell sound several times before flying out of sight.

I’m not pulling any legs. Among their vocal repertoire, ravens can produce, usually in flight, a “bell” call. I’m not sure if this is a common vocalization. I only remember ever hearing a raven’s “bell” on only one other occasion. I was with a group of more established birders at Roan Mountain State Park when a raven flew overhead. Someone called out, “Listen to that.” I listened and heard my first raven “bell” call.

The strange thing is that I can find little about this strange vocalization when I researched the subject. According to the website “All About Birds,” common ravens calls vary from a low, gurgling croak to harsh grating sounds and shrill alarm calls. Scientists have placed their vocalizations into as many as 33 different categories based on sound and context. The most commonly heard is the classic gurgling croak, rising in pitch and seeming to come from the back of the throat.

The croak is their standby vocalization, which they produce often. The raven’s croak can be heard from a mile away. And, in defense of the poet Edgar Allan Poe and his “ominous bird of yore,” ravens are accomplished mimics. According to “All About Birds,” ravens can imitate other birds. Raven raised in captivity can even learn words. “Nevermore?”

From the opening refrain of “once upon a midnight dreary” in his poem, “The Raven,” Edgar Allan Poe established a somber mood and also helped cement the dark reputation of one of North America’s most misunderstood birds. Poe describes the bird that provides the title of his famous poem with adjectives such as “grim, ungainly, ghastly, gaunt and ominous.” His raven also speaks, although it has the limited vocabulary of a single word, “Nevermore.”

How else does the real common raven resemble the “bird of yore” in Poe’s classic poem? For starters, the raven is an intelligent bird. Authors of a scientific study conducted about 15 years ago posited the claim that ravens and crows are just as intelligent as some of the great apes. Although parrots are more famous for the ability to mimic human speech, captive ravens have proven capable of learning more words than even the most impressive vocabulary-endowed parrots. So, Poe was not wide of the mark when he gave the gift of gab to the raven in his poem.

In the United States, the raven is quite common in Alaska. In the lower 48 states, raven populations are somewhat more sporadic. These large birds have established strongholds along the Appalachian Mountains and in the American Southwest. The raven is a cosmopolitan bird known to range from North America and Greenland to Europe and Asia, as well as North Africa and the Canary Islands.

The common raven is mainly a scavenger, but this bird is also an opportunistic predator and will prey on a wide variety of animals, including arthropods, amphibians, small mammals, birds, reptiles, and carrion. Ravens are attracted to carrion and are not finicky eaters. They adapt quickly and are known to even consume garbage.

Its black plumage has undoubtedly contributed to the raven’s sinister reputation and its affiliation with many dark superstitions. According to Laura C. Martin’s book, “The Folklore of Birds,” notes that the raven is “loathed throughout Europe as a symbol of impending death and war.” She explains that the raven probably acquired these connotations because these birds fed on battlefield corpses. As indicated earlier, the raven is not a picky eater. Martin also points out that legend maintains that England will remain a powerful nation as long as ravens live in the infamous Tower of London.

Establishing the raven’s closest relatives is helpful in fully becoming acquainted with this species. The raven is a member of the corvid family, which includes birds such as crows, magpies, nutcrackers and jackdaws. The common raven is the largest bird among the corvids. This bird can achieve a wingspan of almost four feet. The average raven weighs about two-and-a-half pounds. Large individuals have been recorded with a weight of slightly more than four pounds, making the raven a contender for the title of world’s largest songbird.

Poe’s poem offers a dramatic introduction to a bird that has once again become rather common in the region, particularly at higher elevations. This bird is well-known for nesting on inaccessible cliffs. However, ravens are proving adaptable. In recent years, a pair of ravens has repeatedly nested beneath the grandstands at Bristol Motor Speedway. Ravens have nested annually at this location at least since the spring of 2013.

Poe’s well-known poem, first published in 1845, is often cited as evidence for Poe’s genius for rhyme and his ability to create a believable supernatural universe populated by dark forces and one particularly persistent raven. It’s more than a little sad and ironic that the magazine that chose to publish Poe’s poem paid him a mere pittance of $9 for his brilliant contribution to literature.

The Bible also offers some interesting tales involving ravens. The prophet Elijah, after falling afoul of a wicked king, went into hiding and was provided food by cooperative ravens. In the story of the Biblical flood, Noah first released a raven to determine if the waters had receded. When the raven didn’t return to the ark, Noah next released a dove. This bird later returned to the ark clutching an olive leaf, which proved that the flood waters had subsided.

Many cultures also consider the raven as a “bringer of magic,” and the bird is associated with many creation stories in Native American cultures. Unlike the European custom of designating black as an “evil” color, Native Americans teach that black can hold various meanings, including resting, healing and prophetic dreaming, but evil is not one of them.

Ravens and crows are similar, but ravens are much larger birds. In addition, ravens have wedge-shaped tails and crows have fan-shaped tails. The common raven also has a well-developed ruff of feathers on the throat, commonly called its “hackles.”

A “murder of crows” is a fairly well known collective noun for a flock of these birds. On the other hand, a group of ravens has many collective nouns, including a “bazaar,” “constable” and “rant” of ravens. For its alliteration, I’m fond of “a rant of ravens” and think it’s a shame that Poe’s raven was apparently a solitary bird.

Other species of ravens found around the world include dwarf raven, thick-billed raven, fan-tailed raven, brown-necked raven, little raven and forest raven.

I like ravens. I find them fascinating, but there’s still something that causes some shivers when one hears the guttural, loud croak of a raven. It remains difficult to completely dismiss the raven’s long history of association with the darker niches of the world.

On that note, here’s one final tidbit regarding the raven taken from Martin’s book. Cherokee tribes believed that ravens would visit villages where ill or dying people were present. In the absence of a village shaman to drive away the bird, the raven would invariably snatch the life of the ailing individual.

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To learn more about birds and other topics from the natural world, friend Bryan Stevens on Facebook at https://www.facebook.com/ahoodedwarbler. He is always posting about local birds, wildlife, flowers, insects and much more. If you have a question, wish to make a comment or share a sighting, email ahoodedwarbler@aol.com.

Birds serve as muses to inspire poets to greater heights

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Photo by makamuki0/Pixabay.com • The turtledove has featured prominently in poems and other literature, including the holiday song “The 12 Days of Christmas.”

With May’s arrival, other migrating birds have made stops in my yard, providing some excitement to the daily routine. It’s easy to wax poetic about the birds around us. Indeed, poets have been incorporating birds into some of their best-known work for centuries.

The Bard himself penned a poem titled “The Phoenix and the Turtle.” While the phoenix is a mythical bird and not one actually found in nature, the “turtle” in the poem’s title refers to the well-known European turtledove. Even before Shakespeare glorified the turtledove in his poetry, this small dove had already been entangled with myth and legend stretching back to Ancient Greece and Rome. For instance, the turtledove was considered by the Greeks as sacred to Demeter, the goddess of the harvest. Romans adopted the turtledove as an emblem of their goddess Fides, who reigned over the attributes of trust and faith. Perhaps, even more famously, the turtledove is still known today in the lyrics of the enduring Christmas carol, “The 12 Days of Christmas,” as the gift given on the second day of Christmas.

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Photo by skylarvision/Pixabay.com • The phoenix was a legendary bird that, if destroyed, arose from its own ashes to live again.

Samuel Taylor Coleridge gave us his gloomy “The Rime of the Ancient Mariner” in 1798. The longest of his poems, it tells of a sailor who brings ill fortune upon himself by shooting an albatross, which is a family of sea-going birds consisting of about two dozen species. The poem also inspired the phrase “having an albatross around one’s neck” as a metaphor for bad luck.

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The poet Samuel Taylor Coleridge popularized the phrase “albatross around one’s neck” to suggest a period of ill fortune in his poem “The Rime of the Ancient Mariner.”

Albatrosses are large birds with wingspans larger than most other birds, making them capable of spending almost their entire lives at sea except for the times they come ashore for the purpose of nesting. The entire family has been besieged by a variety of problems, many of which are caused by humans. Three albatross species are critically endangered, five species are endangered, seven species are near threatened and seven species are considered vulnerable.

One of America’s most famous poets often looked to the natural world, especially its feathered inhabitants, for inspiration for some of her most famous poetry. “Hope is the Thing with Feathers” by Emily Dickinson is arguably one of the finest metaphors in American poetry, with the abstract concept of hope being equated with a bird Dickinson likely observed in her gardens in Amherst, Massachusetts.

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The poet Emily Dickinson’s perceptive observations of the natural world show in her poetry.

I’ve always enjoyed Dickinson’s “A Bird Came Down the Walk,” which transforms an ordinary encounter between a bird and a woman tossing it a crumb into an inspiring message of perseverance. One cannot help but feel that Dickinson, a famously reclusive woman, also envied the bird its power of flight and the freedom its wings gave it.

A near contemporary of Dickinson, and one famous for his moody, rhythmical works, Edgar Allan Poe published his masterpiece “The Raven” in 1845. While the poem won him many fans, he received a paltry $9 from the magazine “The American Review” for the work. Perhaps because of the insulting matter of compensation, Poe first allowed the work to be published under a pseudonym. “The New York Evening Mirror” became the first outlet to publish the poem with Poe’s name attached to it.

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Edgar Allan Poe

The young poet Percy Bysshe Shelley wrote a classic poem titled “To a Skylark” in 1820. Shelley, one of the English Romantic poets, has been overshadowed in some ways by his wife, the novelist Mary Shelley, who provided the world with the enduring novel Frankenstein. Shelley apparently wrote his poem after he and his wife encountered one of these birds during a stroll in the countryside during a trip to Italy.

As is the case with good literature, Shelley’s poem inspired other authors. Reportedly, the English playwright Noël Coward and the American novelist F. Scott Fitzgerald received inspiration from lines in the poem to create titles for their respective works, “Blithe Spirit” and “Tender is the Night.” American playwright Tennessee Williams titled his first play “Not About Nightingales,” apparently as a reaction to Shelley’s ode.

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Although his wife arguably achieved more fame with her novel, Frankenstein, Percy Bysshe Shelley won immortality with his memorable poems in the spirit of English Romanticism.

The Eurasian skylark is a widespread species found across Europe and Asia. This bird has also been introduced in various locations around the world. In North America, introduced populations of skylarks are found on southern Vancouver Island in British Columbia and San Juan Island in the state of Washington.

The only native lark in North America is the horned lark, also known by its scientific name of Alauda alpestris, which translated means “lark of the mountains.” The horned lark is a common, widespread bird of open country, such as prairies, deserts, and agricultural lands. Although horned larks also sing in flight like their relative, only the Eurasian skylark seems to be famous enough for its song to inspire poets to write tributes. The Eastern meadowlark, a fairly common bird in the region, is not an actual lark but a member of the blackbird family.

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Photo by Kathy2408/Pixabay.com • A Eurasian skylark perches on a wire. This bird once inspired the poet Percy Bysshe Shelley to write his famous poem “To a Skylark.”

 

Based on the opening lines to Shelley’s poem, it can be safely argued that Shelley was particularly impressed by the skylark’s song.

“Hail to thee, blithe spirit!
Bird thou never wert,
That from heaven, or near it,
Pourest thy full heart
In profuse strains of unpremeditated art.”

Birds are continually inspiring us, much like a singing skylark once served as an avian muse for one of Shelley’s most famous poems. Whether it is their song, their beauty, or their free spirits, birds are certainly worthy of a poem or two.

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“Hope” is the thing with feathers – That perches in the soul – And sings the tune without the words – And never stops – at all – And sweetest – in the Gale – is heard – And sore must be the storm – That could abash the little Bird That kept so many warm – I’ve heard it in the chillest land – And on the strangest Sea – Yet – never – in Extremity, It asked a crumb – of me.                                   — by Emily Dickinson