Category Archives: Birds and poetry

Hermit thrushes brave East Tennessee winters

Photo by Bryan Stevens • A hermit thrush perched on a fence rail shows the reddish tail, a reliable field mark to separate this species from close relatives. The tail contrasts from the rest of the bird’s plumage.

Karen Miller sent me an email about a winter visitor in her yard at her home in Parrottsville, Tennessee. “I have seen a hermit thrush eating holly berries for 10 days,” Karen wrote. “Is he migrating or is he perhaps a winter visitor here in Parrottsville?”

To answer her question, I replied and informed her that the thrush is a winter visitor. The hermit thrush takes up residence after its kin have already departed the region in the fall, making it one of the few thrushes to remain in Northeast Tennessee during the winter months. I’ve always thought a good nickname for this bird would be the “winter thrush” because of its presence during the colder months of the year. Of course, for those who know where to look, a few hermit thrushes spend the summer nesting season at high elevation peaks such as Roan Mountain on the Tennessee and North Carolina border.

The hermit thrush is one of the larger brown thrushes, which also includes such related birds as Swainson’s thrush, veery, gray-cheeked thrush and wood thrush. Other less closely related members of the thrush family include the American robin, Eastern bluebird and Townsend’s solitaire.

USFWS • Hermit thrushes like to keep to the shadows.

The poet Walt Whitman employed a hermit thrush as a symbol in his poem, “When Lilacs Last in the Dooryard Bloom’d,” a moving pastoral elegy in honor of the assassinated President Abraham Lincoln. Whitman evidently knew his birds, and it’s not difficult for naturalists and bird enthusiasts to identify that he referred to the hermit thrush when he wove this songbird as a symbol into his stanzas honoring Lincoln. “Sing on there in the swamp,” Whitman wrote in his poem. “O singer bashful and tender, I hear your notes, I hear your call. I hear, I come presently, I understand you…”

Whitman evidently knew of this bird’s bashful, retiring habits, and he had obviously enjoyed the flute-like notes of the hermit thrush’s call. Whitman and many other Americans have been made fans of this gifted songbird. In fact, the citizens of Vermont even proclaimed the hermit thrush as their official state bird. The hermit thrush is well known for its song — a series of clear, musical notes, each on a different pitch, consisting of a piping introductory note and a reedy tremolo. The song had often been described as melancholy by various bird experts. The birds don’t usually sing in winter, but they do produce a call note when disturbed or alarmed that is described as a low “chuck.”

The visiting hermit thrush at her home has allowed Karen Miller to get to know this somewhat reclusive bird better. “He sits on the ground, cocks his head, spies a berry and then jumps up and gets it,” she wrote. She noted that her visitor has a good appetite. “He eats four or five at a time,” she said. “I’m so glad to see him.”

Photo by USFWS • Like many thrushes, the hermit thrush is fond of fruit and berries, especially during the winter.

According to the Smoky Mountains Visitors Guide website, the hermit thrush forages for most of its food from the ground. This bird’s diet includes insects, spiders, snails, and earthworms, plus considerable amounts of wild fruits during the fall and winter. Hermit thrushes may join up with mixed flocks of birds during the winter, often associating with such songbirds as kinglets, brown creepers, chickadees and titmice. For those not fortunate enough to host a wintering hermit thrush, this bird can be found during the summer months atop some high-elevation peaks. Close to home, look for this thrush in the Roan Mountain Rhododendron Gardens. The hermit thrush is also found at some locations in the Great Smoky Mountain National Park.

Female hermit thrushes collect nesting materials and construct the nest, within which she will lay three to six eggs. These thrushes nest once or twice a season. According to the website All About Birds, nesting habits differ between hermit thrushes in the western North America and their counterparts in the eastern half of the continent. Eastern thrushes tend to nest on the ground, but those in the west often place their nests in shrubs or tree branches.

At home on Simerly Creek Road, my first hermit thrush of the winter arrived in early November of last year. During a woodland stroll with neighbor Beth McPherson, the resident thrush put on an impressive show, hopping and scraping on the woodland floor beneath a rhododendron thicket bordering a mountain spring. In such surroundings, it’s not difficult to fathom why this bird has developed such a subtle plumage of muted browns and grays. Even when foraging actively, the bird blended remarkably with the background of fallen leaves and other woodland debris.

The hermit thrush is known by the scientific name, Catharus guttatus. The term guttatus is Latin for “spotted,” which seems appropriate. Surprisingly, the hermit thrush is not closely related to the other North American migrant species of Catharus thrushes. Instead, the hermit thrush is more closely related to the russet nightingale-thrush, a Mexican songbird. The hermit thrush could accurately be called the “red-tailed thrush” for the fact that this species has a rusty-red tail that stands apart from the warm brown-gray tones of the rest of its plumage. A white eye ring, pink legs and a heavily spotted breast complete the rest of this bird’s understated appearance.

Photo by Bryan Stevens • A hermit thrush perches on a branch in a winter woodland.

The wintering hermit thrushes in the region will likely stay put for the next couple of months, but they will mostly depart the area in April or early May. If you want to look for them, now’s the time.

••••• Bryan Stevens lives near Roan Mountain, Tennessee. To learn more about birds and other topics from the natural world, friend Stevens on Facebook at https://www.facebook.com/ahoodedwarbler. He is always posting about local birds, wildlife, flowers, insects and much more. If you have a question, wish to make a comment or share a sighting, email ahoodedwarbler@aol.com.

 

Birds serve as muses to inspire poets to greater heights

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Photo by makamuki0/Pixabay.com • The turtledove has featured prominently in poems and other literature, including the holiday song “The 12 Days of Christmas.”

With May’s arrival, other migrating birds have made stops in my yard, providing some excitement to the daily routine. It’s easy to wax poetic about the birds around us. Indeed, poets have been incorporating birds into some of their best-known work for centuries.

The Bard himself penned a poem titled “The Phoenix and the Turtle.” While the phoenix is a mythical bird and not one actually found in nature, the “turtle” in the poem’s title refers to the well-known European turtledove. Even before Shakespeare glorified the turtledove in his poetry, this small dove had already been entangled with myth and legend stretching back to Ancient Greece and Rome. For instance, the turtledove was considered by the Greeks as sacred to Demeter, the goddess of the harvest. Romans adopted the turtledove as an emblem of their goddess Fides, who reigned over the attributes of trust and faith. Perhaps, even more famously, the turtledove is still known today in the lyrics of the enduring Christmas carol, “The 12 Days of Christmas,” as the gift given on the second day of Christmas.

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Photo by skylarvision/Pixabay.com • The phoenix was a legendary bird that, if destroyed, arose from its own ashes to live again.

Samuel Taylor Coleridge gave us his gloomy “The Rime of the Ancient Mariner” in 1798. The longest of his poems, it tells of a sailor who brings ill fortune upon himself by shooting an albatross, which is a family of sea-going birds consisting of about two dozen species. The poem also inspired the phrase “having an albatross around one’s neck” as a metaphor for bad luck.

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The poet Samuel Taylor Coleridge popularized the phrase “albatross around one’s neck” to suggest a period of ill fortune in his poem “The Rime of the Ancient Mariner.”

Albatrosses are large birds with wingspans larger than most other birds, making them capable of spending almost their entire lives at sea except for the times they come ashore for the purpose of nesting. The entire family has been besieged by a variety of problems, many of which are caused by humans. Three albatross species are critically endangered, five species are endangered, seven species are near threatened and seven species are considered vulnerable.

One of America’s most famous poets often looked to the natural world, especially its feathered inhabitants, for inspiration for some of her most famous poetry. “Hope is the Thing with Feathers” by Emily Dickinson is arguably one of the finest metaphors in American poetry, with the abstract concept of hope being equated with a bird Dickinson likely observed in her gardens in Amherst, Massachusetts.

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The poet Emily Dickinson’s perceptive observations of the natural world show in her poetry.

I’ve always enjoyed Dickinson’s “A Bird Came Down the Walk,” which transforms an ordinary encounter between a bird and a woman tossing it a crumb into an inspiring message of perseverance. One cannot help but feel that Dickinson, a famously reclusive woman, also envied the bird its power of flight and the freedom its wings gave it.

A near contemporary of Dickinson, and one famous for his moody, rhythmical works, Edgar Allan Poe published his masterpiece “The Raven” in 1845. While the poem won him many fans, he received a paltry $9 from the magazine “The American Review” for the work. Perhaps because of the insulting matter of compensation, Poe first allowed the work to be published under a pseudonym. “The New York Evening Mirror” became the first outlet to publish the poem with Poe’s name attached to it.

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Edgar Allan Poe

The young poet Percy Bysshe Shelley wrote a classic poem titled “To a Skylark” in 1820. Shelley, one of the English Romantic poets, has been overshadowed in some ways by his wife, the novelist Mary Shelley, who provided the world with the enduring novel Frankenstein. Shelley apparently wrote his poem after he and his wife encountered one of these birds during a stroll in the countryside during a trip to Italy.

As is the case with good literature, Shelley’s poem inspired other authors. Reportedly, the English playwright Noël Coward and the American novelist F. Scott Fitzgerald received inspiration from lines in the poem to create titles for their respective works, “Blithe Spirit” and “Tender is the Night.” American playwright Tennessee Williams titled his first play “Not About Nightingales,” apparently as a reaction to Shelley’s ode.

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Although his wife arguably achieved more fame with her novel, Frankenstein, Percy Bysshe Shelley won immortality with his memorable poems in the spirit of English Romanticism.

The Eurasian skylark is a widespread species found across Europe and Asia. This bird has also been introduced in various locations around the world. In North America, introduced populations of skylarks are found on southern Vancouver Island in British Columbia and San Juan Island in the state of Washington.

The only native lark in North America is the horned lark, also known by its scientific name of Alauda alpestris, which translated means “lark of the mountains.” The horned lark is a common, widespread bird of open country, such as prairies, deserts, and agricultural lands. Although horned larks also sing in flight like their relative, only the Eurasian skylark seems to be famous enough for its song to inspire poets to write tributes. The Eastern meadowlark, a fairly common bird in the region, is not an actual lark but a member of the blackbird family.

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Photo by Kathy2408/Pixabay.com • A Eurasian skylark perches on a wire. This bird once inspired the poet Percy Bysshe Shelley to write his famous poem “To a Skylark.”

 

Based on the opening lines to Shelley’s poem, it can be safely argued that Shelley was particularly impressed by the skylark’s song.

“Hail to thee, blithe spirit!
Bird thou never wert,
That from heaven, or near it,
Pourest thy full heart
In profuse strains of unpremeditated art.”

Birds are continually inspiring us, much like a singing skylark once served as an avian muse for one of Shelley’s most famous poems. Whether it is their song, their beauty, or their free spirits, birds are certainly worthy of a poem or two.

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“Hope” is the thing with feathers – That perches in the soul – And sings the tune without the words – And never stops – at all – And sweetest – in the Gale – is heard – And sore must be the storm – That could abash the little Bird That kept so many warm – I’ve heard it in the chillest land – And on the strangest Sea – Yet – never – in Extremity, It asked a crumb – of me.                                   — by Emily Dickinson